The Avengers – Canon 5D Mark II And 7D Superhero DSLR

The release of The Avengers movie is another example of where Canon DSLR video cameras,
take a leading role in filmmaking and cinematic production.

Seamus McGarvey cinematographer for The Avengers, his previous experience was shooting
documentary and drama with the Canon 5D MKII. He finds the nimble size and resolution of the cameras, advantageous for capturing exciting point-of-view (POV) shots.

Seamus also loves the fact that you can place and locate these camera to take shots from
different angles and positions, inaccessible to much larger HD or Film cameras. The
affordability and cost to shoot with multiple cameras for different scene setups also,
allows for more creative edits and visual impact to your film or project.

These cameras are light enough to be be rigged to a stuntman in some of the sequences
so you can get breathtaking action, first person POV rollercoaster, front seat shots adding
to the realism of the action.

The importance of shooting at night, with the cameras iso range of 100 – 6400 becomes
invaluable, needing fewer light requirements, able to work quickly and get shots without
the need to bring a warehouse full of lights onset and plus generators, allows for more
fluid video production and quicker takes.

The range and quaility of Canon’s lenses are without a doubt the great plus factor,
superb optics for shooting ultrawide, wide, macro, zoom, tilt shift and with prime lenses,
giving you a swiss army knife of options to shoot with, experiment and select from.

“I don’t see a difference in terms of storytelling value between the scale and size of the Canon digital SLR cameras and the main digital cinematography and film cameras we used,” McGarvey confided. “They’re all part of the artistic palette of filmmaking.

These Canon DSLR video cameras are featuring, starring and supporting a number of blockbuster, independent film, tv and video productions.

Original Source Article from Creative Planet Network.
http://www.creativeplanetnetwork.com/tags/avengers/canon-eos-5d-mark-ii-and-7d-digital-slr-cameras-add-muscle-action-scenes-avengers/59434

DSLR video live event web streaming + broadcast via HDMI

Livestream Redefines the Live Streaming Experience with New HDMI Hardware Called The “Livestream Broadcaster”

Broadcasting and webcasting of live events, conferences or on location with a DSLR camera HDMI enabled output is now possible.

Livestream (Livestream.com), the current leader in live streaming services, introduces the Livestream Broadcaster device, a game-changing hardware encoder that makes it more affordable and easier for anyone to broadcast live events in HD to the web, mobile and connected TVs. 

Event owners and producers can use the Livestream Broadcaster as a desktop encoder connected to a multi-camera video production switcher, or as a battery powered (via three enclosed AA batteries) portable wireless encoder mounted to a camera and streaming via Wi-Fi or a USB 3G/4G Wireless Modem.

This also would allow for multiple DSLR cameras connected via HDMI switcher to output
via a single Livestream Broadcaster and deliver your video live and online.


Click for larger image.

Users can control and configure the Livestream Broadcaster on the device itself or remotely from anywhere in the world via the Livestream web site, or via an iPhone using the Livestream for Producers app, which can be downloaded from the App Store.

In addition the streamed video content is viewable across wifi and internet connections,
allowing users and clients to view it on a platform or device of their choice.


Click for larger image.

Cameras connect to the Livestream Broadcaster via the HDMI video input (including 1080i, 720p and 480i). So long as your DSLR has a HDMI output you’re in business to take part

Click for larger image.

The Livestream Broadcaster, affordably priced at $495, is fully integrated with the New Livestream Platform, which offers the industry’s first unlimited, ad-free, HD streaming for a flat rate of $45/month. The purchase of the Livestream Broadcaster includes 3 free months of service bundle—a savings of $135. 

The Livestream Broadcaster is available today for pre-order to the US and Europe at http://store.livestream.com.
The device is expected to ship in May, 2012.

World Back Up Day Info – Filmmakers, Photographers and Videographers

World Back Up Day Logo

Washington, DC — March 31st has been declared World Backup Day. With so much of our lives, photos, and videos being stored in digital form, it is imperative that we begin to make backups of our precious data. Backing up your data is one of those easy to do procedures that many people ignore.

People now create and generate over 1.8 zettabytes of data per year. That’s over 57 billion iPads! Hard drives fail at an annual rate of 3 percent and this rate gets higher as the drive gets older. With a three year-­old hard drive, the annual failure rate hovers around six percent. Backing up your data will protect your life’s work if that hard drive fails. World Backup Day is here to make sure that people actually start backing up.

World Backup Day can easily be observed by spreading the word of data integrity and automatic backup. Share World Backup Day with all your friends and family. The virtues of both local and offsite data backup sites should be extolled. People should relay the dreadful tales of devastating data disasters like the loss of an entire season of a children’s television series or the near complete loss of customer data by Microsoft’s & T-Mobile’s Sidekick.

So sad, all they needed was a simple backup strategy.

See full size data infographic here

http://unitedbyphotography.com/ubp/wp-content/uploads/2012/03/World-Backup-Day_infograph_800px.jpg

Don’t be an April Fool. Backup your data. World Backup Day is March 31st.
Get more information here along with prizes and special offers.
www.worldbackupday.com

wireless microphones regulation, channel 38 & 2012 Olympics

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A quick summary as result of the digital switchover certain frequencies are no longer available
for broadcast and a decision to allow channel 38 for wireless use for microphone transmitter
and receivers.

In addition money was set aside with Government funding will be made available to the
Programme Making and Special Events (PMSE) sector access to this channel and fund
migration with the cost of modifying or purchasing equipment.

Regarding the 2012 Olympics demand for wireless access and technologies by broadcasters,
including wireless cameras and wireless microphones, to deliver coverage to the estimated global
audience of over 4 billion viewers.

Ofcom has been planning since 2006 to ensure that viewers won’t miss any of the live sporting action.

A guide by Shure explains this situation or visit the site for a pdf download if more convenient.

Free Wireless pdf information download
http://www.shure.co.uk/support_download/frequencies

Dr. Know’s wireless radio microphone help file
http://www.gbaudio.co.uk/radio.htm

Understanding the impact of wireless frequency allocation for broadcast
http://www.whatpa.co.uk/wireless-frequency-allocation.asp

How Ofcom are working to ensure wireless access for broadcast and the 2012 Olypmics
http://media.ofcom.org.uk/2012/01/23/ofcom-prepares-for-record-spectrum-demand-at-london-2012-games/

Licensing arrangements for wireless microphone users
http://consumers.ofcom.org.uk/2009/12/new-licensing-arrangements-for-wireless-microphone-users/

DSLR Video Audio Recording Guide – PDF

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DSLR audio recording guide for photographers, filmmakers and videographers. Quick overview of options for recording interviews, dialogue and hardware solutions available.

Covers microphones, recording devices suitable of DSLR or separate dual sound system recording for your projects.